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| KURU ART PROJECT |
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The Kuru Art Project
is one of the most successful of several income generating projects
run by the Kuru D'kar Trust for the San of the Kalahari. Since its
origin in 1990, the artists from the Kuru Art Project have produced
contemporary art which is totally original and remarkable in character.
Although contemporary because of the modern techniques used, the unbelievably
bright colors and the freedom of expression demonstrates strong links
with the rock art once produced by the ancestors of these artists.
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Size: 722 x 690 mm
Price: BWP 2730
Code: DAP009 |
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BLACK BIRDS WITH CHICKS
Artist: COEX'AE QGAM (DADA)
I do not see myself as just another artist. Being an artist
is my heritage. It is part of my existence as being Ncoakhoe
(San) is part of my existence." Born in 1934 in Ghanzi,
Botswana, Dada is today the most well known of all the Kuru
artists.
She has been with the Kuru Art Project since its very beginning
when she acted as a translator during the first art workshops.
Fluent in five African languages as well as Afrikaans and a
little English and her outgoing personality makes her well loved
by most people. She is a born performer, a natural storyteller
and great traditional dancer. |
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Size: 997 x 782 mm
Price: BWP 3510
Code: CGP018
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THREE BEADED BAGS AND BELTS
Artist: CG'OSE NTCOXO
Cg’ose was born at Kalkfontein in the Ghanzi district
during the 1950’s. Like all the Kuru artists she has a
deep love and longing for the Kalahari bush where she had grown
up.
To see Cg’ose is to see the Kalahari. She merges and fits
into it like all the plants and animals around her.
She had only one child, whom she lost in 1998. For Cg’ose
the loss of her only daughter is a heavy burden and for almost
a year she had not been very productive. It is remarkable that
in the few pieces she did during this period, there is no trace
of the pain and hardship she has gone through. |
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Size: 727 x 522 mm
Price: BWP 1690
Code: NXP011
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skin bags
Artist: NCG'ABE TASE
Ncg’abe laughs when she talks about her eight children,
four boys and four girls. “They keep you busy when you
are alone so that you do not feel the loneliness.”
She was born on the farm Dxamga in the Ghanzi District during
the early 1960’s. As a child she had a carefree life,
playing around her grandmothers where they were busy with their
daily tasks and making beadwork necklaces and aprons. Many times
she and the other children went with the women to collect veldfood,
learning a lot from her elders. |
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Size: 635 x 955 mm
Price: BWP 1950
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THREE MEN HUNTING
Artist: X'ARE THAMA
X’are was born during the late 1970’s on one of
the farms in the Ghanzi District. His parents were farm labourers
and X’are grew up with his grandparents. Through his childhood
he stayed with different family members who traveled between
the large freehold farms in the Ghanzi District. Due to this
nomadic lifestyle X’are never went to school. Yet, X’are
can speak three different San languages, some Setswana and some
Afrikaans. |
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Size: 633 x 460 mm
Price: BWP 1300
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ELEPHANTS AND RHINO
Artist: XGAOC'O X'ARE
Xgaoc’o grew up as the playmate of Thamae Setshogo on
a farm in the Ghanzi District. He did not know anything about
art before he joined the art project at Kuru in 1992. At that
time, he was only a young boy and the creative possibilities,
which he was introduced to at the Kuru Art Project, revealed
a new world to him. For Xgaoc’o. His art became a new
reality where the images that dwell in his mind could materialize
on canvas through careful brushstrokes in simplified forms and
joyous colours. |
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Size: 529 x 503 mm
Price: BWP 1430
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woman resting at home
Artist: X'AGA TCUIXGAO
X’aga was born in the late 1950’s, early 1960’s
in the Ghanzi District, Botswana, where her people lived as
hunter-gatherers. As a child she loved to join her mother and
the other women to gather tubers, berries and other veldfood
in the wide Kalahari veld. The most delicious of all veldfoods
were the Khuts’uu, (wild truffle) which they could find
after the late rains.
She also remembers times when the rain stayed away and the veldfood
were scarce. Those were hard times that she would rather like
to forget. Her most precious memories are the cosy fire circles
and the many dances at night. |
Travel in Africa and The Kuru Art Project
Since I was 3 years old, I have been traveling to the Kalahari
and my love affair with the wide open spaces, red hued sand dunes
and its fascinating wildlife began. In 1993 I had the opportunity
together with my husband to join a photographic expedition into
the remote regions of the Kalahari to visit the local San communities
and learn about their culture and special relationship with the
land. This wonderful encounter left a lasting impression on me.
The subsequent banishment of the San in various parts of the Kalahari
from their ancestral lands and their struggle to reclaim their land
rights and regain their identity still continues today and the Kuru
Art Project offers us in the international world the opportunity
to assist the San with this process. The artworks themselves are
vibrant, full of bubbling life and represent a kind of innocence
often found in those close to nature and in touch with their inner
spirituality. Apart from the original artworks, an option to purchase
very affordable art prints is available. The full range of San art
works and purchasing details can be found on their website ( details
below ). We at Travel in Africa also support the Kuru Art Project
through the purchasing of San art calendars and greeting cards,
which you will find when you travel with us !
Adele Sinisterra- Owner/Manager Travel
in Africa
Contact The Kuru Art Project
You can read more about the project and view all the art prints
and additional art works on www.kuru.co.bw/art.htm
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| SITE MAP | COPYRIGHT 2008 |
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