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Three Men Hunting
X'ARE THAMA
Read more about the Kuru Art Project
KURU ART PROJECT
The Kuru Art Project is one of the most successful of several income generating projects run by the Kuru D'kar Trust for the San of the Kalahari. Since its origin in 1990, the artists from the Kuru Art Project have produced contemporary art which is totally original and remarkable in character. Although contemporary because of the modern techniques used, the unbelievably bright colors and the freedom of expression demonstrates strong links with the rock art once produced by the ancestors of these artists.

Birds with Chicks Size: 722 x 690 mm
Price: BWP 2730
Code: DAP009
BLACK BIRDS WITH CHICKS
Artist: COEX'AE QGAM (DADA)


COEX'AE QGAM (DADA) I do not see myself as just another artist. Being an artist is my heritage. It is part of my existence as being Ncoakhoe (San) is part of my existence." Born in 1934 in Ghanzi, Botswana, Dada is today the most well known of all the Kuru artists.
She has been with the Kuru Art Project since its very beginning when she acted as a translator during the first art workshops. Fluent in five African languages as well as Afrikaans and a little English and her outgoing personality makes her well loved by most people. She is a born performer, a natural storyteller and great traditional dancer.
THREE BEADED BAGS AND BELTS Size: 997 x 782 mm
Price: BWP 3510
Code: CGP018
THREE BEADED BAGS AND BELTS
Artist: CG'OSE NTCOXO


CG'OSE NTCOXO Cg’ose was born at Kalkfontein in the Ghanzi district during the 1950’s. Like all the Kuru artists she has a deep love and longing for the Kalahari bush where she had grown up.
To see Cg’ose is to see the Kalahari. She merges and fits into it like all the plants and animals around her.
She had only one child, whom she lost in 1998. For Cg’ose the loss of her only daughter is a heavy burden and for almost a year she had not been very productive. It is remarkable that in the few pieces she did during this period, there is no trace of the pain and hardship she has gone through.
Skin Bags Size: 727 x 522 mm
Price: BWP 1690
Code: NXP011

skin bags
Artist: NCG'ABE TASE


NCG'ABE TASE Ncg’abe laughs when she talks about her eight children, four boys and four girls. “They keep you busy when you are alone so that you do not feel the loneliness.”
She was born on the farm Dxamga in the Ghanzi District during the early 1960’s. As a child she had a carefree life, playing around her grandmothers where they were busy with their daily tasks and making beadwork necklaces and aprons. Many times she and the other children went with the women to collect veldfood, learning a lot from her elders.
THREE MEN HUNTING Size: 635 x 955 mm
Price: BWP 1950

THREE MEN HUNTING
Artist: X'ARE THAMA


X'ARE THAMA X’are was born during the late 1970’s on one of the farms in the Ghanzi District. His parents were farm labourers and X’are grew up with his grandparents. Through his childhood he stayed with different family members who traveled between the large freehold farms in the Ghanzi District. Due to this nomadic lifestyle X’are never went to school. Yet, X’are can speak three different San languages, some Setswana and some Afrikaans.
ELEPHANTS AND RHINO Size: 633 x 460 mm
Price: BWP 1300


ELEPHANTS AND RHINO
Artist: XGAOC'O X'ARE


X'ARE THAMA Xgaoc’o grew up as the playmate of Thamae Setshogo on a farm in the Ghanzi District. He did not know anything about art before he joined the art project at Kuru in 1992. At that time, he was only a young boy and the creative possibilities, which he was introduced to at the Kuru Art Project, revealed a new world to him. For Xgaoc’o. His art became a new reality where the images that dwell in his mind could materialize on canvas through careful brushstrokes in simplified forms and joyous colours.
WOMAN RESTING AT HOME Size: 529 x 503 mm
Price: BWP 1430



woman resting at home
Artist: X'AGA TCUIXGAO


X'ARE THAMA X’aga was born in the late 1950’s, early 1960’s in the Ghanzi District, Botswana, where her people lived as hunter-gatherers. As a child she loved to join her mother and the other women to gather tubers, berries and other veldfood in the wide Kalahari veld. The most delicious of all veldfoods were the Khuts’uu, (wild truffle) which they could find after the late rains.
She also remembers times when the rain stayed away and the veldfood were scarce. Those were hard times that she would rather like to forget. Her most precious memories are the cosy fire circles and the many dances at night.
Travel in Africa and The Kuru Art Project
Since I was 3 years old, I have been traveling to the Kalahari and my love affair with the wide open spaces, red hued sand dunes and its fascinating wildlife began. In 1993 I had the opportunity together with my husband to join a photographic expedition into the remote regions of the Kalahari to visit the local San communities and learn about their culture and special relationship with the land. This wonderful encounter left a lasting impression on me. The subsequent banishment of the San in various parts of the Kalahari from their ancestral lands and their struggle to reclaim their land rights and regain their identity still continues today and the Kuru Art Project offers us in the international world the opportunity to assist the San with this process. The artworks themselves are vibrant, full of bubbling life and represent a kind of innocence often found in those close to nature and in touch with their inner spirituality. Apart from the original artworks, an option to purchase very affordable art prints is available. The full range of San art works and purchasing details can be found on their website ( details below ). We at Travel in Africa also support the Kuru Art Project through the purchasing of San art calendars and greeting cards, which you will find when you travel with us !
Adele Sinisterra- Owner/Manager Travel in Africa

Contact The Kuru Art Project
You can read more about the project and view all the art prints and additional art works on www.kuru.co.bw/art.htm